01·Industries we serve.
02·AI Labs Outputs.
03·From a brief, a campaign.
Give us a set of rough sketches, a reference, an idea. Drag the timeline and watch it become photoreal, expand into every variation and format, and finish as a multi-camera commercial — a whole campaign from one brief. Pick an industry; the same engine runs them all.
04·AI Services.
05·Method.
A live look at one of our workflows. Choose a cast and a mood, then drag the timeline: a bare 3D wireframe is rendered, brought to life, and packaged for every channel. This is a single scene — one of countless moods, casts, formats and stories we produce on demand.
06·About.
AI Labs is the research and production arm of Provisual — where 25 years of CG craft meet generative AI.
The AI Questions.
Provisual Operating System
Most studios rent this.We built ours.
The industry standard
A drive for the files. A mail thread for the notes. A spreadsheet for the dates. A quoting tool that knows nothing about production. Four generic apps, each good at one thing, none of them aware the others exist.
So somebody copies between them by hand, all day. That is where a brief gets lost, where a note never reaches the artist, and where a change nobody agreed to shows up on the invoice. It is almost never the rendering.
What we built instead
We took what works from each and built one system where the parts are wired together. Your approved quote becomes the production plan. The plan opens your room. Your mark on a render becomes the artist’s task. The delivery closes the invoice.
Nothing is copied from one place to another, because there is no other place. That is the advantage: not a nicer render, a job that cannot quietly fall through the gap between two apps.
PRODUCTION · ADAMANT TOWER11 / 11
| Input | KO | BL | R1 | R2 | R3 | FIN | |
|---|---|---|---|---|---|---|---|
| EXT-STILL-01-plaza (Plaza level) | Your OK | ||||||
| EXT-STILL-02-podium (Podium, dusk) | Your OK | ||||||
| EXT-STILL-03-skyline (Skyline, north) | Delivered | ||||||
| INT-STILL-04-lobby (Lobby) | R1 · due 04.09 | ||||||
| INT-STILL-05-sky-lounge (Sky lounge) | R1 · due 04.09 | ||||||
| INT-STILL-06-unit-a (Model unit A) | Blockout | ||||||
| ANIM-07-approach (Approach, 20s) | Blockout | ||||||
| EXT-STILL-08-aerial (Aerial, north-east) | Your OK | ||||||
| INT-STILL-09-fitness (Fitness) | R1 · due 04.09 | ||||||
| INT-STILL-10-pool-deck (Pool deck) | Blockout | ||||||
| ANIM-11-lobby-walk (Lobby walk, 15s) | Blockout |
REVIEW · R2 COLOR · V14 marks
STUDIO STATEupdated daily
CLIENT ROOM · NORTHBANKyour login
P2543 · in progress
Adamant Tower
Contracted scope
Exteriors, lobby and amenities · 11 pieces
PV-Q-2026-0117 · approved 12.05.26
Your contact at Provisual
Elena Ruiz · project manager
Project account
Recent activity
01
Every piece, every stage, dated
A project is not one deliverable: it is forty moving parts. Each one carries its stage, its due date and the person holding it. Cameras and architecture lock at blockout, so from there on a change is agreed and priced before it is done, never discovered on the invoice.
02
Your notes land on the image
You draw straight on the render. The mark stays anchored to that frame and our answer stays attached to the mark, so nobody is hunting for the third one from the left in the email from Tuesday. Every round is versioned: what you asked, what changed and who signed off are still there six months later.
03
The studio measures itself
Every stage change, every handoff and every approval writes a line. Not for a report: so the answer to where your project stands takes four seconds instead of four emails. It is what turns twenty-five years without a missed deadline from a claim into something we can show you.
04
You get a key, not a status call
Your own room in our system: what you contracted, who your project manager is, what stage every piece is at, what has been invoiced and what is still open. The same numbers we run the studio on are the ones you see, from the day we start.
07·Let's make
something impossible.
Bring us the idea, the brand, the deadline. We direct it and produce it with the best artists in the world — and reply within four hours. For press or careers, email us directly.