Competition images, client presentations and film — your intent, rendered the way you meant it.
Send us the briefThe jury can’t read your section the way you do. The image decides which design gets built — and we’ve spent 25 years learning exactly where that goes wrong.
Same project, one pipeline. You approve the bones before we dress them — a staged process you can audit at every gate. No surprises. Ever.
Your design at every step. We add camera, light and atmosphere — the architecture stays exactly, obsessively yours.
Rhino, Revit, SketchUp — we work on your model, never a redraw. No drift, no surprises.
Light, weather and mood before the design is resolved — options, not decisions.
One bay in timber, brick, corten and stone — same grey sky, before anyone commits.
When the project demands it: every mullion, every fixture, built to survive the closest look.
Rhino, Revit, SketchUp. We build on your geometry, never a redraw.
Camera, light, weather — proposed with references, decided with you.
Blueprint → clay → light. You sign each stage before the next.
Boards, images, film. Your name on the design, always.
No. We change the light, the weather and the camera. The architecture is yours.
You do. The images are of your building; we’re credited as visualization, the way you’d credit a photographer.
NDA by default. Nothing enters our portfolio until the result is public and you approve.
Competitions are our native habitat. Tell us the submission date; we plan backwards from it.
Both. A napkin gets atmosphere studies; a resolved model gets full-detail treatment. We meet the project where it is.
You own usage for the project and its promotion. We show the work only after it’s public, with your sign-off.
Rhino, Revit, sections, authorship. Twenty-five years rendering other people’s ideas without ever signing them — your design stays yours; it just finally looks like you imagined it.
The default-sky developer render is the enemy. We choose light and weather the way you chose the section — on purpose. That restraint is what a jury remembers, and it’s why they hire us twice.
Competitions are fixed dates. Zero missed in 25 years — planned backwards from submission, staged gates, boring in exactly the way you need the night before.
Provisual Operating System
The industry standard
A drive for the files. A mail thread for the notes. A spreadsheet for the dates. A quoting tool that knows nothing about production. Four generic apps, each good at one thing, none of them aware the others exist.
So somebody copies between them by hand, all day. That is where a brief gets lost, where a note never reaches the artist, and where a change nobody agreed to shows up on the invoice. It is almost never the rendering.
What we built instead
We took what works from each and built one system where the parts are wired together. Your approved quote becomes the production plan. The plan opens your room. Your mark on a render becomes the artist’s task. The delivery closes the invoice.
Nothing is copied from one place to another, because there is no other place. That is the advantage: not a nicer render, a job that cannot quietly fall through the gap between two apps.
PRODUCTION · ADAMANT TOWER11 / 11
| Input | KO | BL | R1 | R2 | R3 | FIN | |
|---|---|---|---|---|---|---|---|
| EXT-STILL-01-plaza (Plaza level) | Your OK | ||||||
| EXT-STILL-02-podium (Podium, dusk) | Your OK | ||||||
| EXT-STILL-03-skyline (Skyline, north) | Delivered | ||||||
| INT-STILL-04-lobby (Lobby) | R1 · due 04.09 | ||||||
| INT-STILL-05-sky-lounge (Sky lounge) | R1 · due 04.09 | ||||||
| INT-STILL-06-unit-a (Model unit A) | Blockout | ||||||
| ANIM-07-approach (Approach, 20s) | Blockout | ||||||
| EXT-STILL-08-aerial (Aerial, north-east) | Your OK | ||||||
| INT-STILL-09-fitness (Fitness) | R1 · due 04.09 | ||||||
| INT-STILL-10-pool-deck (Pool deck) | Blockout | ||||||
| ANIM-11-lobby-walk (Lobby walk, 15s) | Blockout |
REVIEW · R2 COLOR · V14 marks
STUDIO STATEupdated daily
CLIENT ROOM · NORTHBANKyour login
P2543 · in progress
Adamant Tower
Contracted scope
Exteriors, lobby and amenities · 11 pieces
PV-Q-2026-0117 · approved 12.05.26
Your contact at Provisual
Elena Ruiz · project manager
Project account
Recent activity
01
A project is not one deliverable: it is forty moving parts. Each one carries its stage, its due date and the person holding it. Cameras and architecture lock at blockout, so from there on a change is agreed and priced before it is done, never discovered on the invoice.
02
You draw straight on the render. The mark stays anchored to that frame and our answer stays attached to the mark, so nobody is hunting for the third one from the left in the email from Tuesday. Every round is versioned: what you asked, what changed and who signed off are still there six months later.
03
Every stage change, every handoff and every approval writes a line. Not for a report: so the answer to where your project stands takes four seconds instead of four emails. It is what turns twenty-five years without a missed deadline from a claim into something we can show you.
04
Your own room in our system: what you contracted, who your project manager is, what stage every piece is at, what has been invoiced and what is still open. The same numbers we run the studio on are the ones you see, from the day we start.
Tell us what you’re building. We’ll tell you how we’d sell it — and reply within four working hours.
info@provisualstudio.com